I’ve received a number of comments over the months regarding the confusing patch names for Vintage RDK, and so I’ve updated the refill with a new set located in the subdirectory “Vintage RDK Combis Named”. The original patch set is also included for those who prefer the original naming system.
Once again, these patches require […]
Recombinant Media Labs now has registration set up for the Reason Workshops on April 29 and April 30.
and if you’re not busy next weekend… the legendary Curtis Roads will be performing at the labs.
Here are more details about the upcoming Reason workshops. Registration isn’t quite ready. Either contact me or RML directly at the email/phone number below.
Recombinant Media Labs in San Francisco, CA will be offering two workshops on Propellerhead Software Reason 3.0, presented by G.W. Childs and Kurt Kurasaki. The courses are structured for […]
I just finished up a selection of combinators for an upcoming article in Computer Music Magazine. The article isn’t a tutorial, but more or less a feature that describes several patching configurations, the device chain(s), and explanation of controls. The combi patches include an expanded Matrix Triggered Dr.REX players, a Pattern Filter, a […]
My friend, John Hinson, has developed a new solid state amplification circuit that he has dubbed the “Shoichi” – my Japanese Middle Name. I haven’t heard it yet, but he says that it sound remarkably like tubes. This is a unique honor, and who knows…someday there will be Shoichi Amps driving world class […]
Well, I have a bit of interesting news. Today, I was up at the new Recombinant Media Labs in San Francisco’s SOMA district. This is unique performance space with a 16 channel surround sound system along with a 10 projector video system that spans 360° around the entire room. Sorry, I forgot […]
XySpace is pseudo stereo spatialization combinator patch. It’s designed is to take a mono signal and position the sound around a virtual stereo room environment. A standard pan control positions the sound between the left and right channels, while a front-rear fader controls the distance away from the listener’s position.
The patch […]