Reason Studies:: Yesterday. I dropped by to check out Gus Lanzas’ Advanced Reason class held at Robotspeak in SF. There were only a handful of people who attended so the class was pretty mellow. Gus also offers classes in Ableton Live, Logic, Pro Tools, as well as beginner Reason courses. Having been around the business for quite some time, he really knows his stuff. Anyone in the SF area interested in learning more about Reason or other music software might find his courses useful. Check out the course schedule on the Robotspeak website
Power Tools for Reason:: The book is now available from Propellerhead Software’s webstore. Those who purchase a copy of Reason directly from the company shop will have the option of getting a copy of the book for free as well. However, if you’re completely new to Reason, I highly recommend choosing Reason 2.5 Ignite, and for those who prefer having a desk reference and want to know more about using ReWire, Reason 2.5 Power is probably a better choice. Power Tools for Reason will still be there once you’ve learned the basics.
Reason:: The New Electro Mechanical Refill from Propellerhead Software is out. This is a sweet selection of Rhodes EPs, Wurly EPs, Clavinet, and Hammond Samples. The samples are fantastic. The 11 velocity layer Rhodes Mark I is really outstanding. It’s a free download for registered Reason 2.5 users at the Prop’s Website.
ReFill:: The first of two Circuit Bent refills is finished. I’m not sure if many will find this set of noise loops useful, but there are some unique sounds created with circuit bent speak & spell, and speak & math devices. This project has been in the works for about five months, and I’m finally getting it off my drive. Created with
Reason Studies:: On Monday May 24, There will be an intensive one night class on Reason offered by Gus Lanzas. The Class is limited in number and held at Robotspeak in San Francisco. Included with the tuition of $85, students get a copy of Power Tools for Reason 2.5 This is an advanced course for experienced Reason users. I’m going to try to be there…I’m sure I can learn a thing or two from Gus
TXT:: Last Tuesday, I went over to 111 Minna St. Gallery in SF to check out Techture’s Laptop Performance with Reason. I dropped by a month ago to check things out, but I had to leave early and missed the show. The extended happy hour lounge performances occur every 2nd Tuesday, so I promised to drop by this month to check out the show. I brought my camera this time as well.
(another one of those weeks). It started off with my 12 year old cat passing on. He was in bad shape and ended up passing away in the night. It’s funny because I go to a lot of human funerals and do not grieve much, but I really mourned the loss of this cat. Anyhoo… it get’s worse.
My normal responsibilities usually don’t require much work unless something really bad becomes a borderline disaster. So, last Sunday, the sewer station malfunctioned, and the tank was on the verge of overflow. It turns out one of the pump motors burned out because short circuit in the sensor wiring caused it to run while the tank was empty. The tank itself is about 30 feet deep in the ground and the pumps sit on the bottom. So… being that this is a hazardous job, I’m the only one “qualified” (stupid enough) to go down into the hole. We had a pump specialist come out to deal with the wiring and plumbing, but the shitty job was mine. It took a few days for the replacement to come in, so I spent a quite a bit of time down there. To make matters worse it was abnormally hot in the mid 90’s (about 35°).
I’ve been so busy with the CM magazine stuff that i’ve totally blown off getting my car smog-checked for the renewal registration. I finally decide to get it done, and even before the inspection, the mechanic says it’s going to fail. Apparently the “Check Engine” lamp came which automatically sends an emissions failure to the computer. So I had to take the car in to get worked on.
On top of everything else, i had to finish up the second CM article for a Beginners Tutorial on Reason that goes through the entire process of making a (simple) drum ‘n bass track using only Reason. Writing for beginners is tough, because you have to assume the reader knows absolutely nothing about music, computers, or Reason. My deadline was last Friday, and I managed to get the images, documents, and reason song files uploaded for transfer on Thursday night. I’m not sure of the publication date, but it’s probably going to be out in the next few months. Special thanks to Loopmasters for letting me use some of their cool ReCycle loops for the track! The track itself is nothing special, but the Malström bass patch i came up with is pretty cool.
Gilbert, a well and pump technician who handles repairs to our properties, wants me to school him on using his PC to convert his vinyl collection to CD. He’s a DJ, and one of those guys who’s really particular about sound quality. While he was playing a CD in his 600 Watt Truck stereo, he was complaining about mp3 encoding artifacts that he charmingly referred to as “background noise”. I told him that he would be a pain in the ass client because he probably wouldn’t be satisfied with anything less than master quality audio from the original tapes. So we might actually trade services… Who knew that doing computer music could be used for bartering services!?
So the week of hell is over, and now i can get back to a normal leisurely routine by finishing up a review and some refills….
Power Tools for Reason reviews having been coming out recently. I’m still shocked that XLR8R decided to review it. The review says “like the Dungeon Master’s guide to Propellerheads’ popular studio software.” I know they’re getting into doing gear reviews, but it’s an honor that they selected my book. I know how hard it can be to even get a record reviewed in that mag! Future Music pummeled the book though. The main complaint is honest enough, FM stated that it’s not catered for nubies and “the assumption that Reason users will all want to know about merging and splitting CV signals and the like is perhaps misguided…power users go for it and for the rest of us, it makes a dry albeit very thorough read.” Good thing FM is difficult to find in the US because i’m using a phrase from the review with a deceptively positive spin
TXT:: I just finished up an article for Computer Music mag for the CM Interactive reader questions on Reason. This is one of two projects Ronan has requested from me, which should be appearing in the coming months. He sprung this one on me last week while I was in the middle of writing another article on Reason for beginners. This second article should be interesting as it attempts to explain how to create a simple drum ‘n bass track from start to finish. The organization is similar to Producing Music with Reason, however it’s condensed down to about 6 pages. We’ll see how this one goes. I’ve got another week to polish it up.
ReFill:: The Etherwave Theremin refill is now online. It contains a combination of the old plain samples, and a new set of produced samples processed with a variety of effects and (hardware based) pattern controlled filtering, distortion, and ring modulation.
TXT:: So, I went to the Squarepusher show last night at the Avalon Ballroom in SF. I was somewhat hesitant about going after hearing mixed opinions about live squarepusher performances, but I’m really glad I did. I arrived a bit way too early and ran into Rich and Carson, who helped with the sample production for my book.
Squarepusher is indeed a fantastic bassist, and I especially enjoyed the musical interludes where he would just play without the tweaky beats like on “An Arched Pathway” off Ultravisitor. It was a pleasure to watch him perform, running his bass through filters and ring modulators. I couldn’t see what he was using, but they sounded vaguely familiar. The sound system has a beautifully tight bass response, and wasn’t too boomy in the boxy room. I was surprised to hear a live version of “Dimotane Co”, off Feed Me Wierd Things. People who’ve seen him perform before said the added laser light show ‘enhanced’ the experience
The best part of the show was being introduced to the opening act, Kenny Muhammad, the Human Orchestra System. Kenny is a human beat box extraordinaire - his talent is simply unbeleivable! It’s one thing to do hip-hop beats, or even mid tempo breakbeat stuff, but Kenny was cutting up some amazing 150+bpm drum ‘n bass beats! He was doing some crazy s#!t that people spend hours trying to program, all in real time with no delays or effects tricks. Even if you’re a lukewarm Squarepusher fan, I highly recommend going to the show to check out Kenny.