Tempus Fugit
I have to write this down before I forget...

25 September 2004

TXT::
Well, I'm back from the far too brief visit to London and Stockholm and London. Yes, i had to visit London twice since it's my jump off point and I have so many people to visit there. Ola (phead webmaster) has posted some of my photos on the Propellerheads Website, where you can also download the latest creation, "ReBirthday" a new ReBirth Mod! I'll be posting up the pictures and recollections of my trip over the next few days in typical order, but I've still got about 500 megs of images to sort through.

RBM:: (what? i thought ReBirth is dead!?). A few weeks before I left, Wolfgang and Thomas came up with the idea of making a special anniversary ReBirth Mod to give as a special gift to the props. It was a bit crazy but i managed to get a sample set together in about four days.I wanted to get a decent demo track together but my skills are quite rusty, and having to boot back and forth between OS9 and OSX was a bit too much. I forgot to pack a nice pair of headphones, so i didn't feel confident working on the track on the powerbook, so i left it as the 128 bar loop for the final version. In typical Jesuspark style, the graphics were finished at the very last minute.


Just as i finished dressing for the Prop's 10th Anniversary Party, I get this phone call from Wolfgang who said, "I can't get Modpacker working!" I brought my powerbook up to their room, and we tried packing the files for the first time as a complete mod, and the graphics weren't working right...So I left to go to dinner and said "I'll see you later!" Amazingly, they showed up about 90 minutes later with the mod finished and burnt to the special gift CD!

The Sample set for the 909 was created using Reason and the new Reason Drum Kits Refill. I made a monophonic output that was routed out of a MOTU 896HD into a D.I. box through the REDD.47 Mic Pre, back into an old Manley VTL Limter/compressor, into an Apogee Trak2 connected back through the 896HD and recorded in Peak. Whew! Basically i took the samples from Reason and ran them through Tube hardware and redigitized them at 16bits. The 808 Samples are comprised of various Indian sounds like a Sitar/Harmonium combo, Sarangi phrases, a Tabla, and an indian tamborine. These were also resampled like the RDK drums. I sampled a few notes and a strum from a Ric Bass Guitar through the D.I. and REDD.47. A set of Rhodes 5th chords were recorded from my old suitcase 73 using an AKG C12VR running through the REDD.47 into the trak2. The C12VR was positioned at an angle over the open cover of the tines and i cranked up the amp until i got the right balance of tines vs. speaker tone. The 808 Crash sample is one of the 909 snare samples time stretched ala Aphex Twin, and the 808 Snares are remnants of glitch samples from a Chachi Jones Circuit Bent Speak & Spell tracked through a SM57 and the REDD.47. I don't think i've ever gone through as much work for a ReBirth Mod sample set. Somehow it works. In honor of the REDD.47, Thomas added a nice graphic of a vacuum tube glowing on the panel ;)


22 September 2004

I extended my trip by another day so that I could meet up with Alex Swift, who wrote the foreword for Power Tools for Reason 2.5. I've only had the opportunity to email with him before, so I was excited to finally meet him. Unfortunately his current MA project kept him stuck out in Bristol for another day so we couldn't meet up - there's always next time.

Later in the evening Paul and Ian came into London where we met up with the London crew again for a few pints at the John Snow Pub in Soho. Hami was the closest to the pub, but he was the last to finally make it. While walking over to the pub, i ran into Jan and his girlfriend, Lucy, who invited to me to join them for some pizza. This was a first since I usually end up having curry in London ;-). When Hami finally made it around, I was surprised to see that he brought along another friend Dave who I haven't seen in ages. Yes more drinking, but beer in the UK is more like a meal.


21 September 2004

Well, I barely made it back to London. I was in a haze yesterday having a mild hangover and only 3 hours of sleep. After a good rest, i ventured around to St. John's Wood to get some visual samples of the legendary crossing at Abbey Road. I was in a bit of tourist mode, but it was worth it. The rain came down pretty hard while I wandered around, but I managed to get a few decent shots... Definitely some handy material for John's Revolution site! It's pretty cool since people come by and write their names all over the signs and the wall in front of the studio.


I've been playing musical hotel rooms this week because of poor planning. Due to Fashion week, most hotels only had a room available for a single night, and I've been moving about from one hotel to another. This was a major pain, but tonight I got into the Metropolitan which has a really nice Japanese Restaurant. I invited Hami and Vicky along with Su, Ian, and Simon (the lapjockeys) to join us for dinner. I haven't seen Ian or Simon for over a year so it was good to catch up. This was also a bit of a farewell dinner for Hami and Vicky before they move to Australia.


18 September 2004

CC.se:: At the last minute, the props decided to invite more people to the party, and we arranged a last minute Computer Controlled reunion in Stockholm. After years of correspondence, I finally had the opportunity to meet with Fabian Lidman who traveled up from Göteborg to Stockholm.


Fabian and I met up at the hotel and took a little walk back and forth across Södermalm until we met up with Hami and Jan, who just flew in from the UK. Fabian directed us towards a Chinese Restaurant. Jan ordered a beer, and not long after the first sip, the bottom of glass dropped off letting the fluids flush over the table.

I'm glad i ordered tea ;-)


I had to head back to the hotel to participate in part of the conference before the actual party started. Just as I was about to get ready to head out, the Merkles gave me a call saying that they couldn't get Modpacker working - they forgot about rebuiliding the desktop database. I let them use my powerbook to pack the ReBirthday Mod while I headed off to dinner.


Back down in the Lobby, I met up with Fabian, Hami, Ian, Jan and Paul. Tage was kind enough to invite all of us for the pre party dinner at Öst100.

Paul (left) spearheaded the Red Stripe ReBirth Mod project that really propelled ReBirth into a new commercial direction as part of his advertisement campaign for the UK brewing division. blah blah MF...He didn't want to tell me he was coming to the party until the last minute....


It must be one of newton's laws of party dynamics. The larger the group, the more slowly the enter a building an clog up the pedestrian flow.

At the start of the evening, we were served sparkling wine to toast the offical anniversary of Propellerhead Software. Then we were seated for a nice dinner of lamb. It didn't taste like lamb though. I think "lamb" is Swedish for Reindeer.


Nils Larsen of Evolution ,purveyors of fine MIDI controllers, is the man i have to thank for getting me seriously involved in writing for music technology. The chain of events he started eventually led to the publishing of Power Tools for Reason 2.5 :-) Oh i got an email today from my publisher, and it seems that they project a sellout of the first printing. I thought sales were slow and I was plesantly suprised to hear this.


Finally, I had the opportunity to meet Fredrick (aka /blank). We go waaaay back, as Fred improved the original splash screen for the Techno Box rebirth mod that launched the whole craze. It was great to finally meet up in person.


In true Bitplant form, the brothers Merkle came through and finished the ReBirthday Mod with just enough time to make it to the event and have some of the wonderful food. Although the gift was presented in a CD Tin, Wolfgang whipped out his powerbook to show everyone their amazing GUI work.


MC Ernst shows his skills on the mic with some Swedish rhymes...


Gaffaman! Brilliant electro performance with live sequencing (no Reason!), incredible costume design and a rats nest of cables all held together with gaffers' tape.

Click on the picture to see James B. help enhance the ambience with his own smoke machine ;-)


Leo Nathorst-Böös posing under the entry video screen. He's the young man who is incharge of various office duties at Phead HQ. Yes, he's also Ernst's Son.


The Midnight Monkeys...You've never seen Stefan until you seen him perform with his rock act! it's Stefan to the infinite power. They put on an amazing show with Stefan letting his showmanship captivate the audience. Some swedish label should definitely sign them ;) During dinner it was discovered that Stefan and his brother spent time in Beckshill - where Hami and Jan grew up. This really explains a lot about his personality! So where's the Drummer? He's sitting on the laptop as a reason sequence :-)


Regardless of how cold it got, we had to step outside to get a breath of air/smoke every so often. Group picture time with Robin, Ian, Johan, Dice, Hami, and Paul.


Sergej Auto - dressed quite smartly for work complete with briefcase containing his laptop performed a really nice live dance set. I had to fight my way back up to the stage to get a few shots of him performing.


By this time, the house was pretty packed with hundreds of Propellerhead fans having a great time.


Ms. Malström, Mr. Malström, and Mr. SubTractor. Scary Flash - put that damn camera away and have a drink! I was told that all night.



17 September 2004

After waking up at 6:45 and running down to the gym with James (which was pretty cool since it was the local health center and not one of those measly hotel gyms), I ventured over to the software synthesis mecca - Propellerheads Headquaters! Yes this was the first time i've had the chance to visit their offices, yet everyone there was surprised that this was my first visit.

I had a chance to catch up with Tage, Marcus, Kristoffer, Johan and Ernst, and the opportunity to meet Ola, and Leo, Micke.


The office is spatious with workstations for the company personnel downstairs, and a really nice kitchen area. This is where I learned the secret of what makes the company tick. The really strong coffee from the high tech coffee machine! It's like coffee stew - thick and chewy so you can eat it on a stick!


Tage took me upstairs to Propellerheads Area 51 where the developers reverse engineer alien coding and apply it to their software products...and play Doom. Dan E. had some scale model replicas of some of the alien beings they have captured for study. He specializes in decompiling alien robotic code which is then applied to Reason.

No developer should be without toys...Pelle had a tray of juggling balls sitting outside of his office!


I made it back to the hotel with just enough time to check emails before the official program of the day started. The Props arranged a bus tour of Stockholm. This was probably the shortest bus tour in history and only took about 50 minutes before we headed to Props HQ for a bit more of that coffee and some swedish baked delicacies.

Pictured - Ola and Robin Sarac Pose while Dice and the others look out at something...


After the pit stop at the Props HQ, they bussed us over to Cosmos Studio. This was a really impressive space which was originally the EMI Sweden facility. I looked around but i didn't find any REDD.37 or REDD.51 desks
:-)

With several Reason workstations setup around the studio, The group was divided into smaller sections and given the task of writing a 90 second reason song in 90 minutes. I chose to go into the dub group with Stefan as the project leader, but we were stuck in this airtight voiceover room with absolutely no ventilation...it got pretty damn hot and stanky in there.


After the studio visit, we returned back to the Stockholm Clarion for a brief respite before dinner at Gretta's Cöc, the nice restaurant in the hotel named after Gretta Garbo. They served us a wonderful Reindeer course (I think his name was Donner) and we were entertained by a crooner who performed with his reason tracks playing from an ibook. I think he rendered them to audio files and use an iTunes playlist.

When in Rome.... so after dinner we hung out in the hotel bar, smoked and drank, and admired all of the beautiful Swedish Women, and got aquainted with our new friends and spent time with old ones. Fortunately I didn't have to wake up the next morning for the conference - i think i made it to bed around 2am.



16 September 2004

Sweden::
It seems like the whole day was occupied with the travel to Sweden, but man I'm so excited to be here. Just flying over the country is impressive with the tree-covered landscape and waterways, it's simply breathtaking... And CLEAN! This was a nice change from London!

While trying to find James (Bernard) in the lobby of the Stockholm Clarion Hotel, I happened to run into Adam Castillo and several other M-Audio people who were in for the distributors conference with Propellerheads Software. While we were chatting Tage and Ulrica and their baby, Teo came in. I've seen pictures of the Widsell spawn, but this baby was unbeleivably cute in real life. He definitely looks like a little Tage.

I ventured out to dinner with the M-Audio guys where we had a bit of a walkabout while trying to find a restaurant on Sodermalm, a southern island district of Stockholm where the propellerheads are based. We had dinner at "The Metro", we were served by Aragorn in Lord of the Rings (Seriously, he looked like Viggo Mortensen) ...who was quite kind and gave us the complete translation of the menu written completely in Swedish. Later on Stefanie, Ernst, and James joined us after Tage informed them of our location.


15 September 2004

The Bitplant entourage was leaving London today, but I had the chance to meet up with Sandra and Wolfgang at the PLASA Lighting and Sound trade show at Earl's Court Exhibition centre. There was a lot of cool lighting systems, spotlights, lasers, etc. as well as PA and live sound gear. There were these computer controlled tile lights that were really cool. Naturally everything is still a blur due to jet lag. Suprisingly i managed to get six hours last night.


Sandra and Wolfgang introduced me to Arndt of Digidesign who gave us a private viewing of the new "Venue" live console. Yes a modular live sound system that features TDM plugins and automation like a studio system. It's quite interesting because they have placed several safeguards in the system to prevent critical problems that can and probably will occur with a computer based live console, plus you can connect a computer running Pro Tools to the Venue and track the show live. Bitplant was commissioned to design the GUI for the Venue and it definitely has the style reminiscent of the old Red Stripe Mod.


I finally met up with my friend, Su, who now works for Harman. She was recently hired to organize the booth for this trade show, and she looked as if she's fed up with these things. She introduced me to a gentleman from Studer who i asked about tape machines. Studer has let go of about 200 employees who specialized in engineering and machining, and no longer makes tape machines. Mr. Hill also recalled some stories about the Beatles and their Studers. One story was about how George Harrision had broght in his 4 track, and he told the young employees to be especially careful because it belonged to George Harrison... The kids had no idea who he was.



14 September 2004

As usual, my trip has started with a really bad case of Jet Lag which came as the result of not sleeping on the flight over. As it turns out, the Bitplant crew was in London to see the unveiling of latest project. Running on little sleep, I met up with Nina, Sandra, Thomas and Wolfgang as well as Vicky and Hami. We eventually made it out to Liverpool Street where we met up with Thomas' friend Axel to go out for a curry somewhere on Brick Lane. I had this Duck Masala that was really outstanding. Being the tourists we were having a bit of fun with our digital cameras all over the place.

I suppose it's no secret now, but Hami and Vicky are defecting from the UK to take on positions in Sydney, Australia. So this trip is really the last time I will see them in the UK for quite some time.


4 September 2004

TXT::
Went out last night to see The Black Rider at the American Conservatory Theater in SF. I'm normally not a musical theater type but on the recommenation of my friend, Gilbert, I decided to get some tickets to go check it out. Being a fellow Wagnerite, Gilbert and I share a similar sense of aesthetics, and so I felt somewhat reassured that I would enjoy the performance. The show was virtually sold out, so I could only get nosebleed tickets for me and my friend, Michela. As luck would have it, there was a gentleman standing outside the theather with his son trying to sell his tickets which were right up front near the stage and orchestra pit. We grabbed those tickets! The music was composed by Tom Waits, and it was mixture of styles that really had the right balance of the ecclectic and musical. We were discussing later that some parts had a certain Pink Floyd's "The Wall" feel. I was most impressed by the musician who played the Saw with a bow -- you never see that! Another scene had one of the actors rubbing a glass of water which transitioned into score. Gilbert was definitely right, since I really enjoyed the performance, but I found myself wanting to see it again because there were so many themes and deeper levels that i felt i missed.


1 September 2004

TXT:: So I get this last minute phone call from a friend of mine, Sean ...Wait let me back up...Sean is a tabla player who i've became aquainted with a few months ago. Somehow music types seem to gravitate and we started talking about music, and he told me about these all night jam sessions where his friends get together, eat, and play various raga through the night until dawn. The last time he invited me, it was cancelled at the last minute because the location could not be secured. So I get this last minute call from Sean who invites me to one of these events last night.

It was up in Berkeley, and i thought...i really don't feel like driving the hundred miles up and hundred miles back without any sleep. He reassured me that tonight was different as there was a special guest performing who was visiting from Bombay. The performer, Hariharan, is an acclaimed singer, and he scheduled to have an intimate performance for it would end at 12:30am. So I went...and had to deal with that horrible east bay traffic. I was about an hour late, but the first act was just tuning up as I arrived. Another aquaintance of Sean's, Gilbert, (a fellow Reason user ;-), also met up with us. As previously described, these events involve food as well, and this was the first time I've ever had Afghan food; it was quite tasty and i especially liked the rice and lamb dishes.

I love the exotic sounds of Indian music and i had the rare chance to hear a Sarangi performed live as well as the amazing performance from Hariharan. His voice was a perfect tone that fell perfectly between pitches the hi and low tablas. The musicians would create these interesting drones with the Harmonium and a Synthesizer, and the vocals would find harmonies on microtones which created beautiful textures. When he would reach those perfect quarter tones or half tones, the crowd would let out a groan of approval, knowing that he hit it.

I have to admit, I was englightened by the experience as I have never before witnessed this unique interaction between the audience and the performers. It helped put the music in context since the audience would recognize passages and gesture with hand movements or claps to punctuate the end. The audience reaction was like a mixture of things that i've seen before, but never together. One aspect would be like a Jazz performance when somone in the crowd uncontrollably screams out a "yeah!" or cheers on a great solo. The second aspect i've witnessed at the opera when a Diva flawlessly performs her aria. The last aspect (as odd as it sounds) is similar to the way a crowded dancefloor reacts to a DJ hitting that perfect buildup. Master Hariharan would orchestrate these buildups that would start with simple harmonies then develop in complexity and difficulty which would nudge the crowd reaction closer to the climax.

It was a really brilliant experience, and even though i didn't get home until 4am, I'm glad i went.




Seems that I was the only one with a Still Camera, and everyone wanted a picture taken with the Master!


29 August 2004

TXT:: My head must have still been fried last week. I wrote the entry, but totally forgot to upload it.

I've got my trip to Stockholm planned out, and I'm looking forward to seeing my old friends and meeting my friend, Fabian, who i've known "online" but never met in person. I'm stopping over in London for a few days to catch up with the lapjockey people and as a last minute surprise, meet up with the Bitplant Crew who are in the UK for some kind of sound and light trade show. (Crap...not another effing trade show). Still it's like another ReBirth User/Reason User Reunion.

This week has had it's fare share of problems as well. As it turns out, a lawyer, representing a very large record company, sent me an email requesting that Revolution Recording Equipment to cease the use of the term "REDD". Here's the real kicker: someone informed this attorney that I placed an ad in TapeOp Magazine who also received an email requesting the ad be removed. This all occurred even before the issue was printed! John at TapeOp is also another friend of mine so this has turned into a rather sticky situation. Anyhoo, the matter of the advertisement is resolved and i think the rest will work out- even if i have to fly over to London to meet with this attorney (it's lucky that i'll be there anyways!).

Speaking of TapeOp, John has a nice interview with Alan Parsons in the Current Issue where they talk about the recording of Pink Floyd's Dark Side of the Moon. There's an interesting discussion about the use of software technology in comparision to the old-school methods, and also a discussion of the TG Consoles. The same issue has a cool interview with John Leckie who talks about his work with Radiohead.

I've been working on my chops with Logic Pro lately especially now that the new Arturia Moog Modular V2 has been introduced with audio input features. I was baffled why it kept loading as an insert plug-in and not as an instrument until i RTFM. The Modular V2 bode frequency shifter module is really tweaky and cool. The bad part is that my old G4 is starting to crap out when i start overloading it with Reason and Modular V2 and insert effects running in Logic. I feel so rusty with Logic since the last time I really used it was back in version 2.5 and 3 :-)


21 August 2004

TXT:: Yes, well i've been out of service for the last few weeks due to a bad case of heat stroke. I had some matters to tend to up in Sacramento last week, and the outside temperature was about 114° F (45°c) in the shade. I was pretty stupid and didn't think that a few hours in that kind of heat would be dangerous. Ha! So after the 2.5 hour drive home, i started to feel ill and came down with a fever of 103°F that lasted over the course of three days. To make matters worse, i tweaked out my back from laying down so much.

Anyhoo, it took a week or so to recover and i needed to get out. Actually, i needed to catch up on work, but I came down with a serious case of cabin fever. Went out to a nice dinner one night, and last night I dropped over to MickeyT's loft-warming party. Some might know Mickey from the Drum Machine Museum, or White Box Lounge. He's moved to a fantastic new loft space in downtown SF where he's going to have more electronic music events in the coming months. I think the next one is during the Love Parade in SF. Mickey's new space is great with plenty of space for performers and VJs.

Well, i've got to get back to planning this trip.


8 August 2004 - The unofficial day of the 808

TXT:: Well there's a lot of stuff going on here, which explains why i haven't had time to post up any recent news. The main thing is that i've been waiting to get a domain name transferred over to my box so that I could revise all of the Revolution documentation with email and website addresses. Finally that's done, and REDD47.com is now online with the revised content and a little more information about John's box. I'm pretty much sold that it's by far the finest tube mic-pre i've ever heard. I'm also helping out with the plans for the AES show in October where John will be showing the REDD.47™.

I still haven't had the time to finish up on some of these other projects, and things are looking like they will be put on hold for quite some time. Sorry, but there will probably not be any new refills for a few months. I'm rethinking my sampling methodology and basically trying to find new ways to get samples with a certain extra "something". So hopefully future refill projects will be better.

Basically I blame this damn REDD.47 box, because it sounds so good that i'm trying to discover the ideal way of digitizing the sound. The latest discovery was running an old Yamaha DX-7 through a D.I. into the REDD47 using the Bass Lift circuit, and it had the most amazing low end. I made a few patches with the carrier operators out of tune to create a really fat analog-ish pad.

My other distraction is that I'm going to start learning to play Bass. I've acquired a nice old Ric 4001, and my friend, Joe is going to give me lessons. It's about 25 years old, but I'm definitely not worthy of a new bass guitar, and i've always liked the tone of rics, so i was in the right place at the right time and picked it up. Oh yea... this sucker sounds great through the redd 47, too :-) Once i get some chops up, i've got some plans to develop a refill library of this instrument as well.


13 July 2004

Sweden:: Propellerhead Software has announced a unique contest for registered users of their products: They are giving away trips to Sweden so that people can attend the Company's 10 Year Anniversary Party! How cool is that?! Well, i have the worst luck when it comes to gambling, so I'm just going to get my own ticket and join the festivities. Surströmming Here i come!

Reason:: I received a copy of Computer Music special for beginners that features that monster of an article I wrote a few months back. It's actually a nice resource for anyone who is just getting started in the crazy world of making music on their computer, as the issue covers a broad range of tools with language focused on those who are unfamiliar with the terminology. Thanks again to Matt at Loopmasters for allowing the use of a few of their samples for my example files on the CD-ROM. I used a few of their drum loops to develop the tutorial song file.

TXT:: I'm trying to finish up another sample library review of drum loops from Beta Monkey Music. These loops are primarily designed for alt rock types of styles, but i've found that they are really outstanding for drum 'n bass. Simply take one of the 110bpm loops and pitch it up to 160+ bpm and they have a really solid feel. I've just been swamped with stuff the past month, so i'm not sure if i'm going to get the review up soon.

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