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Tempus Fugit I have to write this down before I forget... |
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25 September 2004 TXT:: Well, I'm back from the far too brief visit to London and Stockholm and London. Yes, i had to visit London twice since it's my jump off point and I have so many people to visit there. Ola (phead webmaster) has posted some of my photos on the Propellerheads Website, where you can also download the latest creation, "ReBirthday" a new ReBirth Mod! I'll be posting up the pictures and recollections of my trip over the next few days in typical order, but I've still got about 500 megs of images to sort through. Just as i finished dressing for the Prop's 10th Anniversary Party, I get this phone call from Wolfgang who said, "I can't get Modpacker working!" I brought my powerbook up to their room, and we tried packing the files for the first time as a complete mod, and the graphics weren't working right...So I left to go to dinner and said "I'll see you later!" Amazingly, they showed up about 90 minutes later with the mod finished and burnt to the special gift CD! The Sample set for the 909 was created using Reason and the new Reason Drum Kits Refill. I made a monophonic output that was routed out of a MOTU 896HD into a D.I. box through the REDD.47 Mic Pre, back into an old Manley VTL Limter/compressor, into an Apogee Trak2 connected back through the 896HD and recorded in Peak. Whew! Basically i took the samples from Reason and ran them through Tube hardware and redigitized them at 16bits. The 808 Samples are comprised of various Indian sounds like a Sitar/Harmonium combo, Sarangi phrases, a Tabla, and an indian tamborine. These were also resampled like the RDK drums. I sampled a few notes and a strum from a Ric Bass Guitar through the D.I. and REDD.47. A set of Rhodes 5th chords were recorded from my old suitcase 73 using an AKG C12VR running through the REDD.47 into the trak2. The C12VR was positioned at an angle over the open cover of the tines and i cranked up the amp until i got the right balance of tines vs. speaker tone. The 808 Crash sample is one of the 909 snare samples time stretched ala Aphex Twin, and the 808 Snares are remnants of glitch samples from a Chachi Jones Circuit Bent Speak & Spell tracked through a SM57 and the REDD.47. I don't think i've ever gone through as much work for a ReBirth Mod sample set. Somehow it works. In honor of the REDD.47, Thomas added a nice graphic of a vacuum tube glowing on the panel ;) 22 September 2004 I extended my trip by another day so that I could meet up with Alex Swift, who wrote the foreword for Power Tools for Reason 2.5. I've only had the opportunity to email with him before, so I was excited to finally meet him. Unfortunately his current MA project kept him stuck out in Bristol for another day so we couldn't meet up - there's always next time. Later in the evening Paul and Ian came into London where we met up with the London crew again for a few pints at the John Snow Pub in Soho. Hami was the closest to the pub, but he was the last to finally make it. While walking over to the pub, i ran into Jan and his girlfriend, Lucy, who invited to me to join them for some pizza. This was a first since I usually end up having curry in London ;-). When Hami finally made it around, I was surprised to see that he brought along another friend Dave who I haven't seen in ages. Yes more drinking, but beer in the UK is more like a meal. 21 September 2004 I've been playing musical hotel rooms this week because of poor planning. Due to Fashion week, most hotels only had a room available for a single night, and I've been moving about from one hotel to another. This was a major pain, but tonight I got into the Metropolitan which has a really nice Japanese Restaurant. I invited Hami and Vicky along with Su, Ian, and Simon (the lapjockeys) to join us for dinner. I haven't seen Ian or Simon for over a year so it was good to catch up. This was also a bit of a farewell dinner for Hami and Vicky before they move to Australia. 18 September 2004
17 September 2004 After the studio visit, we returned back to the Stockholm Clarion for a brief respite before dinner at Gretta's Cöc, the nice restaurant in the hotel named after Gretta Garbo. They served us a wonderful Reindeer course (I think his name was Donner) and we were entertained by a crooner who performed with his reason tracks playing from an ibook. I think he rendered them to audio files and use an iTunes playlist. When in Rome.... so after dinner we hung out in the hotel bar, smoked and drank, and admired all of the beautiful Swedish Women, and got aquainted with our new friends and spent time with old ones. Fortunately I didn't have to wake up the next morning for the conference - i think i made it to bed around 2am. 16 September 2004 Sweden:: It seems like the whole day was occupied with the travel to Sweden, but man I'm so excited to be here. Just flying over the country is impressive with the tree-covered landscape and waterways, it's simply breathtaking... And CLEAN! This was a nice change from London! While trying to find James (Bernard) in the lobby of the Stockholm Clarion Hotel, I happened to run into Adam Castillo and several other M-Audio people who were in for the distributors conference with Propellerheads Software. While we were chatting Tage and Ulrica and their baby, Teo came in. I've seen pictures of the Widsell spawn, but this baby was unbeleivably cute in real life. He definitely looks like a little Tage. I ventured out to dinner with the M-Audio guys where we had a bit of a walkabout while trying to find a restaurant on Sodermalm, a southern island district of Stockholm where the propellerheads are based. We had dinner at "The Metro", we were served by Aragorn in Lord of the Rings (Seriously, he looked like Viggo Mortensen) ...who was quite kind and gave us the complete translation of the menu written completely in Swedish. Later on Stefanie, Ernst, and James joined us after Tage informed them of our location. 15 September 2004
14 September 2004
I suppose it's no secret now, but Hami and Vicky are defecting from the UK to take on positions in Sydney, Australia. So this trip is really the last time I will see them in the UK for quite some time. 4 September 2004 TXT:: Went out last night to see The Black Rider at the American Conservatory Theater in SF. I'm normally not a musical theater type but on the recommenation of my friend, Gilbert, I decided to get some tickets to go check it out. Being a fellow Wagnerite, Gilbert and I share a similar sense of aesthetics, and so I felt somewhat reassured that I would enjoy the performance. The show was virtually sold out, so I could only get nosebleed tickets for me and my friend, Michela. As luck would have it, there was a gentleman standing outside the theather with his son trying to sell his tickets which were right up front near the stage and orchestra pit. We grabbed those tickets! The music was composed by Tom Waits, and it was mixture of styles that really had the right balance of the ecclectic and musical. We were discussing later that some parts had a certain Pink Floyd's "The Wall" feel. I was most impressed by the musician who played the Saw with a bow -- you never see that! Another scene had one of the actors rubbing a glass of water which transitioned into score. Gilbert was definitely right, since I really enjoyed the performance, but I found myself wanting to see it again because there were so many themes and deeper levels that i felt i missed. 1 September 2004 TXT:: So I get this last minute phone call from a friend of mine, Sean ...Wait let me back up...Sean is a tabla player who i've became aquainted with a few months ago. Somehow music types seem to gravitate and we started talking about music, and he told me about these all night jam sessions where his friends get together, eat, and play various raga through the night until dawn. The last time he invited me, it was cancelled at the last minute because the location could not be secured. So I get this last minute call from Sean who invites me to one of these events last night. It was up in Berkeley, and i thought...i really don't feel like driving the hundred miles up and hundred miles back without any sleep. He reassured me that tonight was different as there was a special guest performing who was visiting from Bombay. The performer, Hariharan, is an acclaimed singer, and he scheduled to have an intimate performance for it would end at 12:30am. So I went...and had to deal with that horrible east bay traffic. I was about an hour late, but the first act was just tuning up as I arrived. Another aquaintance of Sean's, Gilbert, (a fellow Reason user ;-), also met up with us. As previously described, these events involve food as well, and this was the first time I've ever had Afghan food; it was quite tasty and i especially liked the rice and lamb dishes. I have to admit, I was englightened by the experience as I have never before witnessed this unique interaction between the audience and the performers. It helped put the music in context since the audience would recognize passages and gesture with hand movements or claps to punctuate the end. The audience reaction was like a mixture of things that i've seen before, but never together. One aspect would be like a Jazz performance when somone in the crowd uncontrollably screams out a "yeah!" or cheers on a great solo. The second aspect i've witnessed at the opera when a Diva flawlessly performs her aria. The last aspect (as odd as it sounds) is similar to the way a crowded dancefloor reacts to a DJ hitting that perfect buildup. Master Hariharan would orchestrate these buildups that would start with simple harmonies then develop in complexity and difficulty which would nudge the crowd reaction closer to the climax. 29 August 2004 TXT:: My head must have still been fried last week. I wrote the entry, but totally forgot to upload it. I've got my trip to Stockholm planned out, and I'm looking forward to seeing my old friends and meeting my friend, Fabian, who i've known "online" but never met in person. I'm stopping over in London for a few days to catch up with the lapjockey people and as a last minute surprise, meet up with the Bitplant Crew who are in the UK for some kind of sound and light trade show. (Crap...not another effing trade show). Still it's like another ReBirth User/Reason User Reunion. This week has had it's fare share of problems as well. As it turns out, a lawyer, representing a very large record company, sent me an email requesting that Revolution Recording Equipment to cease the use of the term "REDD". Here's the real kicker: someone informed this attorney that I placed an ad in TapeOp Magazine who also received an email requesting the ad be removed. This all occurred even before the issue was printed! John at TapeOp is also another friend of mine so this has turned into a rather sticky situation. Anyhoo, the matter of the advertisement is resolved and i think the rest will work out- even if i have to fly over to London to meet with this attorney (it's lucky that i'll be there anyways!). Speaking of TapeOp, John has a nice interview with Alan Parsons in the Current Issue where they talk about the recording of Pink Floyd's Dark Side of the Moon. There's an interesting discussion about the use of software technology in comparision to the old-school methods, and also a discussion of the TG Consoles. The same issue has a cool interview with John Leckie who talks about his work with Radiohead. I've been working on my chops with Logic Pro lately especially now that the new Arturia Moog Modular V2 has been introduced with audio input features. I was baffled why it kept loading as an insert plug-in and not as an instrument until i RTFM. The Modular V2 bode frequency shifter module is really tweaky and cool. The bad part is that my old G4 is starting to crap out when i start overloading it with Reason and Modular V2 and insert effects running in Logic. I feel so rusty with Logic since the last time I really used it was back in version 2.5 and 3 :-) 21 August 2004 TXT:: Yes, well i've been out of service for the last few weeks due to a bad case of heat stroke. I had some matters to tend to up in Sacramento last week, and the outside temperature was about 114° F (45°c) in the shade. I was pretty stupid and didn't think that a few hours in that kind of heat would be dangerous. Ha! So after the 2.5 hour drive home, i started to feel ill and came down with a fever of 103°F that lasted over the course of three days. To make matters worse, i tweaked out my back from laying down so much. Anyhoo, it took a week or so to recover and i needed to get out. Actually, i needed to catch up on work, but I came down with a serious case of cabin fever. Went out to a nice dinner one night, and last night I dropped over to MickeyT's loft-warming party. Some might know Mickey from the Drum Machine Museum, or White Box Lounge. He's moved to a fantastic new loft space in downtown SF where he's going to have more electronic music events in the coming months. I think the next one is during the Love Parade in SF. Mickey's new space is great with plenty of space for performers and VJs. Well, i've got to get back to planning this trip. 8 August 2004 - The unofficial day of the 808 TXT:: Well there's a lot of stuff going on here, which explains why i haven't had time to post up any recent news. The main thing is that i've been waiting to get a domain name transferred over to my box so that I could revise all of the Revolution documentation with email and website addresses. Finally that's done, and REDD47.com is now online with the revised content and a little more information about John's box. I'm pretty much sold that it's by far the finest tube mic-pre i've ever heard. I'm also helping out with the plans for the AES show in October where John will be showing the REDD.47. I still haven't had the time to finish up on some of these other projects, and things are looking like they will be put on hold for quite some time. Sorry, but there will probably not be any new refills for a few months. I'm rethinking my sampling methodology and basically trying to find new ways to get samples with a certain extra "something". So hopefully future refill projects will be better. Basically I blame this damn REDD.47 box, because it sounds so good that i'm trying to discover the ideal way of digitizing the sound. The latest discovery was running an old Yamaha DX-7 through a D.I. into the REDD47 using the Bass Lift circuit, and it had the most amazing low end. I made a few patches with the carrier operators out of tune to create a really fat analog-ish pad. My other distraction is that I'm going to start learning to play Bass. I've acquired a nice old Ric 4001, and my friend, Joe is going to give me lessons. It's about 25 years old, but I'm definitely not worthy of a new bass guitar, and i've always liked the tone of rics, so i was in the right place at the right time and picked it up. Oh yea... this sucker sounds great through the redd 47, too :-) Once i get some chops up, i've got some plans to develop a refill library of this instrument as well. 13 July 2004 Sweden:: Propellerhead Software has announced a unique contest for registered users of their products: They are giving away trips to Sweden so that people can attend the Company's 10 Year Anniversary Party! How cool is that?! Well, i have the worst luck when it comes to gambling, so I'm just going to get my own ticket and join the festivities. Surströmming Here i come!
TXT:: I'm trying to finish up another sample library review of drum loops from Beta Monkey Music. These loops are primarily designed for alt rock types of styles, but i've found that they are really outstanding for drum 'n bass. Simply take one of the 110bpm loops and pitch it up to 160+ bpm and they have a really solid feel. I've just been swamped with stuff the past month, so i'm not sure if i'm going to get the review up soon.
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©1997-2004 Kurt Kurasaki |